Under the Big Top: Cirque du Soleil’s ‘Echo’ arrives in Denver
Mary Jeneverre Schultz • July 1, 2025

Step right up and be prepare to be enchanted!


The iconic blue-and-white Big Top of Cirque du Soleil has once again risen on the Denver skyline, marking the highly anticipated arrival of their latest breathtaking production, ECHO.


From the moment you step under the grand tent, a world of vibrant artistry, awe-inspiring acrobatics, and captivating storytelling awaits, ready to transport you into a realm where the impossible becomes beautifully real.


Cirque du Soleil arrived fourth of July weekend and began assembling the tent with 100 workers, employing about 60 from local labor.


“This is when Denver knows we are in town and brings a lot of excitement,” said Kevin Albert, senior public relations director of Quebec-based Cirque du Soleil.

Size of the Big Top

The seating capacity of the Big Top is more than 2,500, measuring 167 feet in diameter and supported by 82-foot steel masts and more than 100 poles displayed around the tent. The structure is secured to the ground by more than 1,200-foot stakes dug into the ground.


The cupola, one of the most visible parts of the tent, is located at 62 feet above the ground. The light-colored canvas helps counter the effects of the sun, reducing energy consumption and minimizing greenhouse gas emissions.


On average, the site takes seven days to set up but three days to take down. About 72 trailers are needed to transport the equipment from city to city.

Blue and white striped circus tent set up outdoors on asphalt; rigging and equipment visible.

About the Show

Cirque du Soleil brings modern and surprising twists under the Big Top with ECHO, a story of connection, intention, and the bond between humans and the animal kingdom.


Then FUTURE (the protagonist) and her best friend EWAI stumble upon an enigmatic CUBE, they set in motion a journey of life, discovery, hope, and empathy, quickly learning how their actions have the power to shape this world.


Packed with vibrant characters, inspiring music, contemporary abstract costumes, astounding lighting and projections, and never-before-seen acrobatics, ECHO brings audiences on a journey through a universe of color, wonder, and infinite possibilities.

Global Community

Cirque du Soleil is renowned for its global talent pool. Albert indicated 88 countries are represented on stage and behind-the-scenes. In fact, artist Hua Chu Huang, represents Taiwan, while Artist Miho Inaba comes from Japan.


Beyond the stage, other notable Asian representations include Jourdan Rosell, who works as the assistant technical director from the Philippines. He joined Cirque du Soleil – ECHO during its creation in Montreal in 2023, initially serving as the event safety manager. 


His expertise and leadership quickly became evident, and he transitioned to the technical team as assistant technical director. In this role, he now co-leads a 30-person technical crew, drawing upon his strong background in theater management.


Lighting technician Chloe Chan hails from Singapore and United Arab Emirates. Chloe brings a rich background in live performance lighting to the show. She began her career as a lighting operator, working on touring concerts like Wang Leehom.

Performance Representing Asian Culture

Hair suspension has strong roots in the Asian circus culture. While its exact origins are debated, hair suspensions have been part of ancient Chinese acrobatic performances (known as “Fa Ji Shen Gong”) and some South American indigenous rituals.


Another acrobatic performance representing Asian culture includes contortion. It can be traced back to ancient Asian traditions, particularly in Mongolia and China, where it was incorporated into Buddhist dances and theatrical performances. In fact, Cirque du Soliel’s own contortionist Eddie Browne visited China to perfect his art earlier in his career.


Within the show, ECHO, the audience will experience a DUO in the hair suspension act where the two artists hang from each other’s hair. This act, specifically built for this show, is the only duo hair suspension performance at Cirque du Soleil.


“It’s a beautilful real-world example of ECHO’s central theme: that every action creates a ripple effect. Just as the show explores the impact our choices have on the world around us, our presence in Denver sparks waves of economic, cultural, and community engagement, making the experience meaningful not only for our audiences, but for the entire city,” Albert said.

Two aerialists in white costumes perform a split in the air, facing each other.

ECHO is performing from July 12 to August 17. Tickets are available at cirquedusoleil.com/echo

Discover More Features

By Ashtonn Means April 1, 2026
Rocky Mountain Public Media , the home of Rocky Mountain PBS, KUVO Jazz, and TheDrop303 has a partnership with Colorado Ethnic Media Exchange to launch this monthly essay series, as part of our vision to co-create a Colorado where everyone feels seen and heard. These stories are sourced from community members across the state—told in their own words and selected from our 64-county community ambassador program. They are not editorial products of our journalism team, but are first-person reflections on life in Colorado - building bridges through empathy. Learn more about all of our brands and content at www.rmpbs.org/about .
By Gil Asakawa April 1, 2026
When people discover Boxtastic at Denver International Airport, they’re often drawn in by the bright displays, colorful characters, and the excitement of opening a “blind box.” Behind that experience is Michael Ye, quietly building and shaping the vision of Boxtastic alongside his wife, Mimi Luong Ye. While Mimi is often the face of the brand—connecting with the community, sharing stories, and bringing energy to events—Michael is the one carefully crafting what Boxtastic is becoming. In 2024, he noticed a growing trend while running their family gift shop, Truong An Gifts, in Denver. Labubu dolls made by Pop Mart, a Beijing-based toy company, had become an explosive fad. Pop Mart sells the line of various Labubus in a “collect them all” ethos of blind boxes, in which the exact item inside is a surprise until it’s open. Then consumers keep buying them to collect the other ones. Labubus became Pop Mart’s biggest worldwide hit. After Truong An’s Labubu popularity and long lines waiting outside their gift shop door caught the attention of Denver International Airport, the Ye’s came up with Boxtastic, which was more open-ended and not tied to just the Labubu fad. Like a spinoff for a hit television show, Boxtastic, is inspired by the blind boxes that generate repeat purchases.  “It’s kind of become the thing that I love,” Ye says of the Truong An-inspired world of retail. “And Boxtastic is just a version of that. It’s a spin-off.”
By Dr. Esther Park April 1, 2026
For Dr. Esther Park, the path to becoming a psychologist wasn’t linear—it was deeply personal. Like many children of immigrants, she grew up with a clear expectation: become a doctor or a lawyer. “For a while, I believed I would be a pediatrician,” she recalls. “But on the first day of organic chemistry in college, I quickly realized medical school wasn’t for me.” What followed was a quiet but powerful shift. Park gravitated toward psychology, initially without a clear end goal. “Looking back, I can see that I was drawn to it for deeply personal reasons,” she says. “There was something I wanted to understand about myself, my upbringing, and the dynamics that shaped me.” That curiosity eventually led her to earn a doctorate in clinical psychology and continue her training at the Denver Institute for Psychoanalysis. Dr. Park describes her identity as a 1.5 generation Korean American as central to her work. “I understand, intimately, what it feels like to belong and to feel ‘other’—sometimes in the very same moment,” she explains. Holding both Western and Korean values has created what she calls a “dual identity,” shaped by autonomy and self-definition on one hand, and sacrifice, duty, and collective identity on the other. This duality brings both gratitude and grief. “I carry gratitude for the immense sacrifices my parents made… But I also carry a lot of grief. The grief of recognizing that my freedom is, in many ways, built on their limitation.” These layered emotions inform how she approaches her patients—with nuance, curiosity, and compassion. “I don’t see mental health symptoms in isolation. I see them within cultural systems, generational trauma, and the psychological weight of belonging.” Dr. Park emphasizes that many mental health challenges—like anxiety, depression, and perfectionism—are often rooted in intergenerational experiences. “We do not start from scratch,”she says. “We are shaped not only by our own experiences, but by the emotional histories of the generations before us.” In immigrant families, survival stories often translate into internal pressures: achieve, don’t fail, make it worth it. “These messages are often rooted in love,” she adds, “and yet, they can become internal pressures that shape identity in profound ways.” Starting her own private practice was another intentional step in reclaiming autonomy. “I wanted the freedom to build a practice that reflected my values,” Park says. “My parents immigrated to this country without the luxury of time…Because of that, I’ve come to see time as one of the most valuable forms of wealth.” Her work, grounded in psychodynamic and psychoanalytic therapy, goes beyond symptom relief. It invites deeper self-exploration and lasting change. “Many of the individuals I work with are interested in understanding themselves at a deeper level—not only to improve their own lives, but to change patterns that may have existed across generations.” It gives Dr. Park hope that “more individuals are beginning to ask deeper questions about themselves—not just what they feel, but why.” She hopes more people can see self-understanding not as a weakness, but as courage.